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Bela Ivanyi-Grunwald Woman by the Water oil painting


Woman by the Water
Painting ID::  76300
Bela Ivanyi-Grunwald
Woman by the Water
Date 1897(1897) Medium Oil on canvas Dimensions 81??99 cm cyf

   
   
     

Bela Ivanyi-Grunwald Ave Maria oil painting


Ave Maria
Painting ID::  77035
Bela Ivanyi-Grunwald
Ave Maria
English: Ave Maria Date 1891 cyf

   
   
     

Bela Ivanyi-Grunwald Devotion (Ave Maria) oil painting


Devotion (Ave Maria)
Painting ID::  95637
Bela Ivanyi-Grunwald
Devotion (Ave Maria)
Date 1891(1891) Medium oil on canvas Dimensions Height: 120 cm (47.2 in). Width: 115.2 cm (45.4 in). TTD

   
   
     

Bela Ivanyi-Grunwald The Warlord's Sword oil painting


The Warlord's Sword
Painting ID::  95638
Bela Ivanyi-Grunwald
The Warlord's Sword
Date 1890(1890) Medium oil on canvas Dimensions Height: 161 cm (63.4 in). Width: 150 cm (59.1 in). TTD

   
   
     

Bela Ivanyi-Grunwald Moon Rise oil painting


Moon Rise
Painting ID::  95639
Bela Ivanyi-Grunwald
Moon Rise
Date 1897(1897) Medium oil on canvas Dimensions Height: 118 cm (46.5 in). Width: 185 cm (72.8 in). TTD

   
   
     

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     Bela Ivanyi-Grunwald
     (6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.

     Related Artists::.
     | Nils Andersson | Peeters, Gilles | Jules Pascin |


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